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Editing, Plotting
 By Lynn Dean, on September 30th, 2011
Sandra Orchard has been our guest contributor this month. She “forgot” to mention in her bio that her unpublished manuscript won the Daphne DuMaurier Award in 2009. I don’t need to tell you that’s a pretty big deal! She sold her first story to Love Inspired Suspense the next year. If you’d like to [...]
Language usage, Point of View, Showing vs. Telling
 By Lynn Dean, on September 23rd, 2011
A guest post by Sandra Orchard
Details. Not a hundred of them listed ad nauseum, but key details unique to the POV character that are both fresh and rich in sensory information. Dig deep into the scene. Don’t just say your hero is wearing jeans and a t-shirt. Maybe his mom hung them on [...]
Goal, Motivation and Conflict, Language usage, Point of View, Showing vs. Telling
 By Lynn Dean, on September 16th, 2011
A guest post by Sandra Orchard
Do you scratch your head when someone tells you that you need to “show, not tell”? It’s the key to writing compelling commercial fiction, but an often difficult concept to grasp in all its nuances. Today I’m going to share with you some simple ways to…
“Show” emotion [...]
Goal, Motivation and Conflict
 By Naomi Musch, on September 9th, 2011
Protagonists, by story-telling nature, are the ones who are in a dilemma.
Sometimes that means they’ve been put upon, taken advantage of, hurt, haunted, or chased after. But occasionally, when we write about their situations, we start to accidentally create such a passive character that we’re really the only ones who are excited about [...]
Announcements, Personal Motivation, Plotting, The Writing Industry
 By Lynn Dean, on September 2nd, 2011
I’ve referred in past posts to Larry Brooks’ excellent book, Story Engineering.
As I read this book the principles of plotting finally clicked–probably because Larry explains them in architectural terms, and I am a building designer by trade. Suddenly both the rules and the reasons for them became clear, and I’ve been a [...]
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